échos parasites - translation to English
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échos parasites - translation to English

TERM IN BYZANTINE MUSIC THEORY
Ēchos; Enechema; Echoi; Echos devteros
  • 1832, pp. 106-108]])
  • modern Octoechos]], since they are represented as mesoi.
  • 1832, p. 30]])
  • Chrysanthos 1832]], 140—§313)
  • Chrysanthos 1832]], 137)
  • Chrysanthos 1832]], 137f)
  • Chrysanthos 1832]], 137f)
  • Chrysanthos 1832]], 140—§313)
  • Chrysanthos 1832]], 137)
  • echos devteros}}. If you descend 4 steps to find its plagios, i.e. πλ β', thus"
  • echos protos}}: "You descend 4 steps [φοναὶ] from the echos protos [kyrios protos/authentic protus] and you will find again the plagios protos, this way"
  • tetartos}} you descend 4 steps [φοναὶ] and you will find its plagios, which is πλ δ', like this way"
  • Intonation according to Erotapokriseis and standard intonation of echos tritos: "Hence, you descend four steps from echos tritos and you will find its plagios which is called 'grave' (βαρύς), this way"
  • London, British Library, Harley 5544, fol. 8r]])
  • Chrysanthos 1832]], 141—§317)
  • Chrysanthos 1832]], 141—§317)
  • Chrysanthos 1832]], 141—§317)
  • tetartos echoi}}) and the tetraphonic tone system and its transpositions in the center—Koukouzelian wheel in an 18th-century manuscript (manuscript of the private collection by Demetrios Kontogiorges)
  • Chrysanthos 1832]], 138)
  • Chrysanthos 1832]], 139)
  • Chrysanthos 1832]], 139)
  • Chrysanthos 1832]], 140—§316)
  • Chrysanthos 1832]], 140—§316)
  • Chrysanthos 1832]], 137)
  • Chrysanthos 1832]], 137)
  • Chrysanthos 1832]], 138—§312)
  • Chrysanthos 1832]], 138—§312)
  • Chrysanthos 1832]], 139—§312)
  • Chrysanthos 1832]], 137f)
  • Chrysanthos 1832]], 140—§313)
  • Chrysanthos 1832]], 140—§313)

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Definition

Echoes
·pl of Echo.
II. Echoes (·3d·pers. ·sg ·pres.) of Echo.
III. Echoes ·add. ·pl of Echo.
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Wikipedia

Echos

Echos (Greek: ἦχος [ˈixos] "sound", pl. echoi ἦχοι [ˈiçi]; Old Church Slavonic: гласъ [glasŭ] "voice, sound") is the name in Byzantine music theory for a mode within the eight-mode system (oktoechos), each of them ruling several melody types, and it is used in the melodic and rhythmic composition of Byzantine chant ("thesis of the melos"), differentiated according to the chant genre and according to the performance style ("method of the thesis"). It is akin to a Western medieval tonus, an Andalusian tab', an Arab naġam (since 1400 "maqam"), or a Persian parde (since 18th-century dastgah).

https://en.wikipedia.org/wiki/Echos
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